- Return to Perfect Memento in Strict Sense
- Previous: pg. 148 Mound for Foreigner
- Next: pg. 151-155 Monologue
|
ๅฝผๅฒธ |
Higan |
|---|---|
|
ๅฑ้บๅบฆ๏ผใไธๆ |
Threat Level: Unknown |
|
้ญ้ใใๅฆๆช๏ผใไธๆ |
Encounterable Youkai: Unknown |
|
ไธ้ใฎๆฒณใฎๅใใๅฒธใงใใใ |
The other side of the Sanzu River. |
|
ๅฟ่ซใๅฝผๅฒธใฏๅนปๆณ้ทใงใฏใชใใไธๅฟ็ดนไปใใใ |
Obviously the Higan is not part of Gensokyo, but I'll describe it anyways. |
|
็ใใใพใพ็ใๆฅใๆฏ่ผ็ๅฎนๆใซใชใฃใฆใใๅฅ็ใจใฏ็ฐใชใใ้ใซไธ้ใฎๆฒณใๆตใใฆใใ็บใ็่ ใฏๅฝผๅฒธใซ่กใไบใๅบๆฅใชใ๏ผ๏ผ๏ผ๏ผ๏ผใ |
Compared to the Netherworld where the living can go there relatively easily, the living cannot go to the Higan because of the Sanzu River.40 |
|
ๅฝผๅฒธใฏไฝๅฆใพใงใ่ฑ็ใๅบใใใๆผใๅคใใๅญฃ็ฏใ็กใใใใ ใใ ๆใใๅชใใๅ ใซๅ ใพใใฆใใใ |
The Higan is a endless flower garden where there are no night and day, no seasons, just a gentle warm light that covers the place. |
|
ใใใงไฝใใใใฎใใจ่จใใจใ้ป้ญ็ใฎ่ฃใใๅงใพใใฎใๅพ ใก็ถใใใฎใงใใใ |
All people do here is to await the Enma's judgement. |
|
็ ใใใ้ฃไบใๅใใใไผ่ฉฑใใใใใใ ใใใงๅปถใ ใจๅพ ใคไบใงใ่ชๅใๆญปใใ ไบใ่ช่ฆใใใฎใงใใ๏ผ๏ผ๏ผ๏ผ๏ผใ |
They don't sleep, don't eat, and don't talk. All they do is wait, and by doing so they realize that they are dead.41 |
|
ๅฅ็ใซ่กใใใฐ่ฏใใฎใ ใใๅฐ็ใซ่ฝใจใใใใจไธๆ็ใซ่ผชๅปป่ปข็ใฎ่ผชใใๅคใใใใใๆกใ่ฆใฆ็พๅณใใใ้ ใๆฅฝใใใ ใๅบๆฅใชใใชใใฎใงใใใ |
It's okay if you were sent to the Netherworld, but if you descended into Hell you'll fall outside the cycle of reincarnation and shall never enjoy the sights of cherry blossoms and the taste of sake again. |
|
๏ผ๏ผ๏ผ ใจ่จใใใ่กใใจๆญปใฌใๆญป่ ใๆฒณใๆธกใใพใงใฏใพใ ๆฏใๅนใ่ฟใๅฏ่ฝๆงใๅจใใใๆธกใฃใฆใใพใใฐใใ็ใ่ฟใใชใใ |
40: Rather, if you go, you die. Although there is a chance that the dead can breath again before they cross the river, once they make it across they cannot come back to life. |
|
๏ผ๏ผ๏ผ ๆ่ฟใฏๆญป่ ใๅคใใใฆๅ็ใฎ่ฃใใ่ฟฝใใคใใชใใใใใ |
41: Lately, there had been so many dead people that the Bar of the Ten Kings cannot catch up with them. |
- Return to Perfect Memento in Strict Sense
- Previous: pg. 148 Mound for Foreigner
- Next: pg. 151-155 Monologue
